A histogram display, several useful tonal presets, and new curve-display options round out the revamp. As with Levels, you can show shadow or highlight clipping by pressing the Option key while moving the black- or white-point slider. Like the Levels dialog box (its tone-adjustment partner in crime), the Curves dialog box now lets you make black-point and white-point adjustments. The venerable Curves dialog box gets some long-overdue attention in Photoshop CS3, gaining new controls that make it the best place to adjust image tonality. As for the Channel Mixer, it has also been improved and now offers its own black-and-white conversion presets. The Black & White dialog box sports presets that simulate numerous film filters there’s even a preset that simulates infrared film, though it often blows out image highlights. The new Black & White command makes the process much easier. Photoshop users have long relied on features such as the Channel Mixer to control the conversion of color images to black-and-white.
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Exactly what will that phrase mean to a professional photographer who’s only now making the move to digital? (It certainly doesn’t provide any warning that it’s a substandard way to adjust brightness/contrast.) I wouldn’t trade Photoshop’s power for simplicity, but I do think that Adobe could make Photoshop more approachable. For example, Photoshop’s Brightness/Contrast command is greatly improved in CS3, but Adobe hides access to the old-style Brightness/Contrast adjustment command behind an option called Use Legacy. The little smatterings of engineer-speak that you find here and there don’t help. Replacing the old Print With Preview dialog box, it provides a larger image preview that’s color-managed, reflecting changes when you choose different rendering settings and printer profiles.ĭespite these interface improvements, Photoshop remains a daunting program for imaging newcomers. (The new Black & White dialog box does, too.) And the Print dialog box has been completely remodeled. Photoshop CS3’s Channel Mixer and Curves dialog boxes now let you save and recall presets. The new Black & White adjustment command lets you control how an image’s colors are converted to grays by clicking and dragging directly on the image instead of futzing with dialog-box sliders. Other usability improvements abound throughout Photoshop CS3. In general, Adobe could have done a better job of creating workspace presets that took advantage of a second display, as Apple did with Aperture ().Īnother panel-related quibble: In Illustrator CS3, you can customize panels so they appear in muted grays that distract less from the image you’re working on. Spend a few minutes customizing your panels and docks, and you can create a very efficient workspace.Īlas, although you can stash free-floating panels on a second display, you can’t group them into docks that reside there.
You can drag panels between docks and opt to have panels be represented by space-saving icons: click on an icon, and it expands into a panel. Fortunately, Adobe didn’t change the vast majority of keyboard shortcuts that many Photoshop users perform in their sleep-so Photoshop veterans will feel at home even as they enjoy exploring their new surroundings.įoremost among these enhancements is a new scheme for managing Photoshop’s many tool palettes, now called panels.Panels can reside in docks that you can show and hide with a keystroke and have appear or disappear as you mouse toward or away from the edge of your screen. Photoshop CS3 sports numerous user-interface enhancements, many of which appear across the CS3 product line. What’s more, Photoshop now comes in two flavors, so you’ll need to decide between the standard version and the pricier, more fully featured Photoshop CS3 Extended (). While some of Photoshop CS3’s new features shine, others need polish. The new version provides so many improvements in so many areas that no serious digital photographer, video artist, or designer should be without it.īut although the program is a must-have, it isn’t perfect. It’s simple, really: if digital imaging is an important part of your creative life, you’ll want Adobe Photoshop CS3.
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